Five shapes, and a lattice in space has no other
The five combinatorial types a Wigner–Seitz cell can have in three dimensions — cube, hexagonal prism, rhombic dodecahedron, elongated dodecahedron, truncated octahedron — each drawn from a lattice that produces it. Fedorov proved in 1885 that there are no others, and that fourteen faces is the most any of them has, which is Minkowski's bound of 2(2ⁿ − 1) in three dimensions. Each solid here is cut out by the perpendicular bisectors of nearby lattice vectors and its volume checked against the primitive cell's, which is what catches a face that failed to appear.
3 essays call
parallelohedron. The drawing above is what it returns with no arguments at all; every
call below passes it something, because a placement that passes nothing draws whichever member
of the family the generator happens to default to rather than the one its essay argues about.
Every one of this site's 393 essays names its parameters at the
call site, which the standard pass of 2026-08-09 established and param-floor
holds.
Where it is called
Changing this generator changes every one of these figures.
Five parallelohedra, and no others
The cell that needs no basis and no convention has, in three dimensions, exactly five shapes. The fourteen Bravais lattices produce all five between them — and which one a lattice gives is not decided by which of the fourteen it is.
The angle that is not a fraction of a turn
Any two polygons of equal area can be cut into pieces that rearrange into each other. In space that fails, and the obstruction is a sum over edges of length against dihedral angle — zero for anything that fills space, and not zero for a regular tetrahedron. The whole argument reduces to one claim about one angle, and that claim is an integer computation: a sequence that is never divisible by three, when it would have to be.
Every parallelohedron is a shadow of a cube
Take a few vectors and form every combination of them with coefficients between zero and one. All five of the convex bodies that tile space by translation come out of that recipe, from three vectors, four, four, five and six — and since the recipe is exactly the image of a cube of that many dimensions, the truncated octahedron is a three-dimensional shadow of a six-dimensional cube. The five are not the generic answers: they are the degenerate ones, and the degeneracy is what the tiling demands.