Crystallography & Symmetry
patterns derived from their groups
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Why seven — all 16 candidates

Why seven — all 16 candidates
Why seven — all 16 candidates. Every subset of the 4 extras available on a strip, closed under composition and named from the operations that come out. 16 candidates give 7 distinct groups: 9 of them generate operations they were not given and land on a group already listed.

Every subset of the 4 extras available on a strip, closed under composition and named from the operations that come out. 16 candidates give 7 distinct groups: 9 of them generate operations they were not given and land on a group already listed.

5 essays call why-seven. The drawing above is what it returns with no arguments at all; every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about. Every one of this site's 393 essays names its parameters at the call site, which the standard pass of 2026-08-09 established and param-floor holds.

Where it is called

Changing this generator changes every one of these figures.

The seventeen wallpaper groups. Every way of repeating a pattern across the plane, one cell of each. Each tile was generated from its group's operations and then examined independently to confirm it has exactly those symmetries and no others. The classification

The seventeen

Every way of repeating a pattern across a flat surface, exhibited rather than tabulated. The number is a theorem with a finite proof, and the proof is walkable in an afternoon.

 The seven frieze groups. Every way of repeating a motif along a strip. Seven, and no more: the only ingredients are a translation, a mirror across the strip, a mirror along it, a half-turn and a glide, and most combinations of those turn out to generate one another. The classification

Seven friezes

The same classification argument on a strip instead of a plane, where it is short enough to check by hand. Seven ways to repeat a motif along a line, with names like hop, step and sidle.

 The seventeen sorted by lattice: 2, 5, 2, 3, 5. The five plane lattices, each drawn from the basis every other figure here uses, with the wallpaper groups that sit on it and the order of each against its lattice's holohedry. The counts are 2, 5, 2, 3, 5, which is seventeen again, arrived at by a different route from the case analysis on rotation order. Two relations hold and both are checked. Every group's order divides its lattice's holohedry, because an operation has to map the lattice onto itself before it can map the pattern onto itself — which is why a quarter turn has nowhere to live but a square lattice. And the converse fails on every one of the five: each lattice carries at least one group whose order falls short of what the lattice offers, so knowing the lattice narrows the group to a handful of candidates and never to one. The pairs printed in the accent colour are the groups that take everything their lattice permits. The classification

The classification proof, one branch at a time

Seventeen is a theorem, and the argument that establishes it is a finite case analysis that fits on a few pages. Working through it is the difference between knowing the number and knowing why there is no eighteenth.

 Why seven — all 16 candidates. Every subset of the 4 extras available on a strip, closed under composition and named from the operations that come out. 16 candidates give 7 distinct groups: 9 of them generate operations they were not given and land on a group already listed. The classification

Why sixteen become seven

Four extra operations give sixteen combinations and seven groups. The nine that vanish are not cases anybody forgot — each one comes back from the closure holding something it was never given, and one of them changes the lattice underneath it.

 The seven groups a uniform field can have. Five of them have an axis and two do not. A cone has every rotation about its axis and mirrors containing it; a cylinder adds the mirror across the axis and the two-folds that go with it; turning either one destroys the mirrors that would reverse the turn. The sphere and the sphere made of something with a handedness are the two with no axis to speak of. Each drawing is the definition: the group is the set of motions leaving the picture unchanged. What symmetry decides

The seven groups a field can have

Every group in this collection so far has been finite, because a lattice forbids the alternatives. A uniform field has no lattice: rotate it about its own axis through any angle at all and nothing has changed. There are exactly seven such groups, and they come out of the same closure argument that turns sixteen frieze candidates into seven.

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