Concept

Window — where it appears

The cross-section of the strip in a cut-and-project construction, whose width fixes how many distinct tile lengths the projection has. Taking it to be the shadow of the unit cell is what makes the result a tiling rather than a scattering of points.

Named by 7 essays across 2 fields — each of them below, with the objects they name alongside it.

Cut and project. A square lattice, a strip along a line of the given slope, and the shadow on that line of every lattice point inside the strip. The shadow has two gap lengths; whether their order repeats depends entirely on whether the slope is rational.

Cut and project

Take a periodic lattice, cut a strip through it at an irrational angle, and keep the shadow of what falls inside. The result never repeats, has exactly two spacings, and is a quasicrystal — built from something perfectly periodic that is simply not where anybody was looking.

aperiodic · Aperiodic
The substitution, 6 generations. The rule "every long tile becomes a long and a short, every short tile becomes a long", applied 6 times from a single tile. Each generation is as long as the previous two together, so the tile counts are Fibonacci numbers — 13 long and 8 short at the last row — and their ratio is 1.62500 against the golden ratio's 1.61803. The sequence never repeats and every finite piece of it recurs infinitely often, which is order without periodicity in its smallest form.

The smallest quasicrystal

Two tile lengths on a line, in the golden ratio, in a sequence that never repeats. Three completely different constructions produce it, they are required here to agree, and its diffraction needs two integers per peak where a periodic chain needs one.

aperiodic · Quasicrystals
Sliding the window catches different points. The periodic lattice that cut-and-project starts from, with the strip drawn at two positions 0.21 apart, which is 15 per cent of the window's width. Most lattice points are caught by both; a few are caught by one and not the other, and those are the whole difference between two quasicrystals. The slope has not changed, so the density, the two tile lengths and the ratio of their frequencies are identical — the offset is a parameter with no energy attached to it, which is what makes a phason a degree of freedom rather than a defect.

The freedom a crystal has not

Slide the window of a cut-and-project construction and the tiling changes — different tiles in different places — while its density, its tile ratio and its diffraction pattern do not. That parameter is a phason, it costs nothing, and no local measurement whatever can determine where it sits.

aperiodic · Quasicrystals
Every group decided by a window of radius 1. For each of the seventeen, the radius at which a round window on the pattern admits exactly the group's own operations and no others — with the numbers it admits at each smaller radius beside it. Two opposite failures are visible. Most groups under-report at small radii, because an operation carrying points out of the window cannot be tested at all; cm over-reports, admitting operations the pattern does not have. The groups that take longest to settle are the ones distinguished by a glide, which moves a point half a cell before anything can be compared.

How much pattern is enough

Every claim here about a pattern's group is a claim about an infinite pattern. A reader sees a patch. Measuring what a finite window can decide gives a number — about one cell's radius — and two opposite ways of being wrong on the way there.

classification · Seventeen
66 squares and 106 rhombs. The Ammann–Beenker tiling, built by keeping the points of a four-dimensional lattice whose companion image falls inside an octagon and projecting them into the plane. Every tile has the same edge length; the squares and the forty-five degree rhombs are told apart by their diagonals. Nothing was placed — the faces were found among the projected points.

Eight-fold, with the golden ratio taken out

Every quasicrystal on this site has been built on five: Penrose's rhombs, the Fibonacci chain, the ten-fold pattern Shechtman measured. A method that works only on the golden ratio is a method tuned to its answer — so here is the same construction run on eight, where the irrational is √2 and nothing else changes.

aperiodic · Quasicrystals
How fast a window's answer settles: 1/L on the chain, 1/√L on a shuffle. The largest error a window of each length makes about a block's frequency, over every position the window can take, on logarithmic axes. The upper line is a shuffle of the chain's own letters — same frequencies, no order — and its slope is close to −½, which is the random walk a sequence with no structure produces. The lower line is the Fibonacci chain itself and its slope is close to −1. The frequency of a block in the chain is therefore something a finite window measures rather than approaches: to know it to a part in a thousand needs a window of a thousand tiles, not a million.

The average is the same wherever it is taken

A measurement is made on a window somewhere, and the question is whether the answer belongs to the chain or to the window. For the Fibonacci chain the error falls as one over the window's length; for a shuffle of the same letters it falls as one over the square root, and the two exponents are fitted rather than asserted.

aperiodic · Complexity
The window of a three-letter chain. The cut-and-project window of the tribonacci chain: every prefix of the chain, projected onto the plane spanned by the two complex roots of x³ = x² + x + 1, and coloured by the letter that follows it. 223,317 points. It is a bounded region in three pieces whose areas are 0.542, 0.296, 0.162 of the whole, which are the frequencies of the three letters; it fills 71.5 per cent of its bounding box, and a straight cut across it meets up to 6 separate pieces. A window for a two-letter chain is an interval.

A window that is not an interval

The usual cut-and-project construction takes a strip through a lattice and keeps the points falling within an interval. Add a third letter and the window stops being an interval: the tribonacci chain's window is a fractal in three pieces, and a straight cut across it meets up to six.

aperiodic · Aperiodic

Named alongside it

The objects these essays reach for when they reach for this one.

Cut-and-projectThe Fibonacci chainGolden ratioPerpendicular spaceQuasicrystalQuasiperiodicSubstitutionAccidental symmetryAmmann beenkerAperiodicityBounded discrepancyCrystallographic restriction

All concepts