Colour symmetry — where it appears
Named by 11 essays across 2 fields — each of them below, with the objects they name alongside it.
Two colours, and a symmetry that swaps them
A chessboard and a grid of identical squares have the same group, which is plainly not what anybody sees. Admitting the colour swap as an operation gives a finer classification — and one of the seventeen turns out to admit no two-colouring at all.
The Alhambra question
Textbooks say the Alhambra contains all seventeen wallpaper groups. Careful analysts of the same building have counted eleven, thirteen, fourteen and seventeen — and the disagreement is not about the mathematics but about what counts as an instance.
Three colours, and why most patterns cannot have them
Seventy-four of the seventeen plane groups' subgroups have index two, and every group but one has at least one. At index three there are twenty-six, and ten of the seventeen have none at all — because a symmetry of order two cannot survive being asked to permute three colours.
Every colour count at once
Eight hundred and five structures is the answer for two species on sixteen sites. For three species it is a different sum, and for four another. Averaging cycle counts instead of fixed-point counts turns the answer into a polynomial — and refining the same average says how many structures there are at each composition, which is the number anybody actually needs.
What a half-turn does to three colours
Ten of the seventeen plane groups have no three-colouring, because a half-turn cannot permute three colours cyclically, and that is true. Drop the word cyclically and the answer changes completely: a half-turn permutes three colours perfectly well by swapping two and fixing one, and only the three four-fold groups refuse three colours at all.
Swapping the species does not halve the count
Let the two species on a lattice be interchangeable and every structure pairs with its negative, so the count should halve. It does not, because some structures are their own negative: an operation of the group carries them onto the arrangement with the species exchanged. Those are counted by the operations whose every cycle is even, they all sit at exactly half composition, and read as spins they are the arrangements whose zero magnetisation a symmetry enforces.
Eighty is seventeen, seventeen and forty-six
The eighty layer groups are usually quoted, and an earlier count here reached sixty-three and blamed the translations. The eighty follow in three lines from things already counted: a layer group is a plane group with a sign on each operation, and the signs are either all plus, all doubled by a mirror in the layer, or a two-colouring of the plane group — seventeen, seventeen and forty-six. The sixty-three had missed the twenty colourings that turn a layer over on a translation, which are glide planes lying in the layer itself.
Four colours, five ways to permute them
Two colours can be swapped in one way and three can be permuted in two. Four colours can be permuted transitively by five different groups, and the seventeen plane groups use all five: 281 four-colourings sort into 20 cyclic, 77 Klein, 164 square, 8 tetrahedral and 12 fully symmetric. The last twenty belong to the five groups with a three-fold rotation, and they are the lattice reduced modulo two.
Ninety-six four-colour designs
The seventeen plane groups have 281 four-colourings, counted as subgroups of index four, and many of them are the same design described from a different origin, on different axes or from a neighbouring cell. Identified under every affine map that carries the pattern's group to itself, they make ninety-six designs. The same computation run at two and three colours gives forty-six and twenty-three, and all three numbers match the classical counts of coloured plane groups.
Five colours, seven colours, and the primes that split
Four colours gave the seventeen plane groups 281 colourings, five different groups permuting the colours and ninety-six designs. Five colours give 104 colourings, three groups and fourteen designs, and from five upwards every prime behaves the same way. A prime number of colours that the point group cannot divide forces every colouring onto a sublattice the rotations keep, and whether the square and hexagonal patterns have one is decided by whether the prime splits in the Gaussian or the Eisenstein integers.
Twenty-five colours, and the mirrors come back
With a prime number of colours from five up, five of the seventeen plane groups can never be coloured at all: the ones with a mirror across a rotation. With the square of a prime they all can. A colouring with twenty-five colours may meet the lattice in the whole plane modulo five, which every group keeps, and the colours then form a plane the point group acts on by its matrices. The designs come out as the prime's count again, with one more for each of the seventeen groups.
Named alongside it
The objects these essays reach for when they reach for this one.
EnumerationIndexHomomorphismNormaliserOrbitSublatticeCounterchangeSubgroupTransitive actionBurnsideEisenstein integerGaussian integer