Sum of two squares — where it appears
Named by 7 essays across 5 fields — each of them below, with the objects they name alongside it.
The sublattices that stay square
A sublattice of the square lattice is itself square exactly when its index is a sum of two squares — so index five has two and index seven has none, and which superstructures a surface can form is decided by a theorem of Fermat's about primes.
Every coincidence index is odd, and in the plane most of them do not exist
The indices at which two copies of a cubic lattice share points are 3, 5, 7, 9, 11 and every odd number after them. There is a two-line proof that no even index can occur. Ask the same question about a square lattice and the answer is a different list entirely, governed by which numbers are sums of two squares — so Σ3, which is the commonest boundary in every metal, has no plane analogue at all.
How many vectors of each length
Counting the lattice points at each distance from the origin turns out to be a question about divisors, and the answer explains something a crystallographer meets every day: why a cubic powder pattern has no line at seven.
The same group in a bigger cell
A subgroup usually gives something up. An isomorphic subgroup gives up nothing but scale — the same plane group again, on a coarser lattice — and the indices at which that is possible turn out to be the values of a quadratic form.
A rolled sheet turns by a square root
Roll a square sheet into a tube of thirteen cells and its screw could, on paper, turn by any of twelve fractions of a circle. It turns by five thirteenths or eight, and nothing else, because five squared plus one is a multiple of thirteen. Every rolled tube's screw is a square root of minus the sheet's determinant — which is why handed tubes appear only at the orders Fermat allows, why they always come in both hands, and why the crystallographic ones need an accident.
Five colours, seven colours, and the primes that split
Four colours gave the seventeen plane groups 281 colourings, five different groups permuting the colours and ninety-six designs. Five colours give 104 colourings, three groups and fourteen designs, and from five upwards every prime behaves the same way. A prime number of colours that the point group cannot divide forces every colouring onto a sublattice the rotations keep, and whether the square and hexagonal patterns have one is decided by whether the prime splits in the Gaussian or the Eisenstein integers.
Twenty-five colours, and the mirrors come back
With a prime number of colours from five up, five of the seventeen plane groups can never be coloured at all: the ones with a mirror across a rotation. With the square of a prime they all can. A colouring with twenty-five colours may meet the lattice in the whole plane modulo five, which every group keeps, and the colours then form a plane the point group acts on by its matrices. The designs come out as the prime's count again, with one more for each of the seventeen groups.
Named alongside it
The objects these essays reach for when they reach for this one.
Gaussian integerIndexSublatticeColour symmetryEisenstein integerEnumerationLoeschian numberNormaliserQuadratic formSuperstructureClass numberCoincidence site lattice